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	<title>Tony Faehse Music</title>
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		<title>Fancy That (2012) CD with 10 page booklet in jewel case</title>
		<link>https://tonyfaehse.com/shop/fancy-that/</link>
		<comments>https://tonyfaehse.com/shop/fancy-that/#comments</comments>
		<pubDate>Mon, 12 Nov 2012 18:20:36 +0000</pubDate>
		<dc:creator>tony</dc:creator>
		
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		<description><![CDATA[Tony Faehse's fifth solo album]]></description>
				<content:encoded><![CDATA[<div id="attachment_346" class="wp-caption aligncenter" style="width: 723px"><a href="http://tonyfaehse.com/wp-content/uploads/2012/11/Fancy-That-CD-cover2.jpg"><img class="size-full wp-image-346" title="Fancy That CD cover" alt="" src="http://tonyfaehse.com/wp-content/uploads/2012/11/Fancy-That-CD-cover2.jpg" width="713" height="697" /></a><p class="wp-caption-text">new album for 2012</p></div>
<p>Each of the twelve tracks on Tony Faehse&#8217;s fifth all original album has its own mood. Four songs (swing, soul, samba and romantic) feature session singer Sarah Liversidge whose pure tone and emotional sensitivity was heard on Faehse&#8217;s previous album &#8220;If you&#8217;re a cat&#8221;. Once again the main voice of the eight instrumentals is Tony&#8217;s classical guitar, although on the opening track &#8220;Makes Me Try&#8221; his cool/funk/electric guitar gets a rare outing. Layered electric, acoustic and slide guitars, piano, organ and synth are enhanced by virtuosic performances from Tony&#8217;s excellent session regulars;</p>
<p>Sarah Liversidge     (superbly sensitive singing.. &#8220;Fancy That&#8221;, &#8220;Ocean&#8221;, &#8220;Samba Way&#8221;, Silver Lining&#8221; plus a layered chorus on &#8220;Makes Me Try&#8221;)</p>
<p>Jen Anderson          (violins.. string sections and solo)</p>
<p>George Butrumlis    (accordion.. melodies, colours and solos)</p>
<p>Adam Simmons (layered saxes and woodwinds, solo clarinet plus shakuhachi)</p>
<p>Steve Hadley (electric &amp; double bass)  &amp; Dave Folley (drums)</p>
<p>Strong melodies intricately arranged&#8230; from cool funk <em>Makes Me Try</em> to sensitive soul <em>The Seven Steps</em>, from flamenco and reggae inspired rhythms <em>Out Of The Rough</em>, poignant <em>Reflections On Your Eyes</em> to bosa-nova <em>Samba Way</em>, and from the French swing inspired title song <em>Fancy That</em> to the sonic journeys of <em>Bitter Sweet</em> &amp; <em>The Surface Glittered</em>&#8230; whimsical yet passionate, multi textured, culturally diverse, lyrically uplifting and aurally stimulating.</p>
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		<title>Learn to fly CD (2002) with 4 page booklet in jewel case</title>
		<link>https://tonyfaehse.com/shop/learn-to-fly-2000/</link>
		<comments>https://tonyfaehse.com/shop/learn-to-fly-2000/#comments</comments>
		<pubDate>Tue, 20 Nov 2012 00:45:57 +0000</pubDate>
		<dc:creator>tony</dc:creator>
		
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		<description><![CDATA[&#8220;&#8230;truly magnificent. Faehse’s exquisite musicianship allows him to conjure up various images while exploring a wide range of influences he first began to absorb as a thirteen-year-old when his mum took him to a Segovia concert. Faehse’s mother was the inspiration for the album’s opening piece, ‘Shorebreak’, a solo classical guitar performance reprised on the [...]]]></description>
				<content:encoded><![CDATA[<p><i><img class="alignnone size-full wp-image-519" alt="Learn to fly coverresize" src="http://tonyfaehse.com/wp-content/uploads/2012/11/Learn-to-fly-coverresize3.jpg" width="425" height="421" /></i></p>
<p><em>&#8220;&#8230;truly magnificent. Faehse’s exquisite musicianship allows him to conjure up various images while exploring a wide range of influences he first began to absorb as a thirteen-year-old when his mum took him to a Segovia concert. Faehse’s mother was the inspiration for the album’s opening piece, ‘Shorebreak’, a solo classical guitar performance reprised on the last track&#8230;&#8221;  Billy Pinnell, Sounds Magazine 2001</em></p>
<p>Tony Faehse&#8217;s first solo album began life as a recording project with compadre and fellow band member from Jo Jo Zep &amp; the Falcons Jeff Burstin. The pair had been performing at the Ian Potter Centre as an instumental duo whose repertoire included Faehse originals. This gave Tony the opportunity to go on and make a whole album of  his own original material, with no other agenda than to explore varied musical directions and attempt to create something that sounded beautiful.</p>
<p>To do this he enlisted the talents of Jeff and other musician friends, players who were to set the talent trend for his subsequent releases, Jen Anderson (violin) and Bruce Haymes (keyboards) appearing frequently. Vicka &amp; Linda Bull make a cameo with a sung chorus on the title track <em>Learn to Fly</em>, and Linda adds vocal colour to <em>Forever Samba</em>.</p>
<p>But mostly this first album is instrumental, setting the pattern with the Classical (nylon string) guitar as Tony&#8217;s main &#8220;voice&#8221;, and a diverse range of musical styles examined.. Latin (<em>Havana Nirvana</em>, <em>Forever Samba</em>) gospel (<em>Gospel Truth</em>) flamenco (<em>Isabella</em>, <em>Pasha</em>) and celtic (<em>Shorebreak</em>) influences interpreted with a indie/soul/jazz/reggae groove.</p>
<p>This first album, a promise of things to come, opens and closes with <em>Shorebreak</em>, firstly as solo guitar, secondly in a band setting.  To quote Tony&#8217;s album notes;</p>
<p><em>&#8220;When I was a little boy, my mother would walk with me along the beach on perfect summer mornings. Sometimes it would be very calm, with just a delicate shorebreak wave crisply rippling, as sharp a sound as bubbles bursting in the open air. On the edge of land and life she opened my eyes to beauty.&#8221; </em></p>
<p>&nbsp;</p>
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